Clip Bin

A Premiere panel that remembers what you copy from your timeline

Copy to clipboard.
Load to source.
Without the mess.

Mark an in and an out. Press Copy. The section is filed in a dated folder and loaded
into your source monitor, so you can cut it back in as if it were normal source material. Keeps a list, so you can always see what you copied.

Or don't press Copy at all. Premiere's own Make Subsequence command works too, so your keyboard shortcuts stay exactly as they are.

Join the waitlist →

Before the public launch, at the founding price.

How it works

Premiere
ACT 2_ROUGH_CUT 01
00:15:24:10
V2
V1
A1
A2
Project
_Clipbin
2026-09-11
— empty —
ACT 2_ROUGH_CUT 01_Sub_01
ACT 2_ROUGH_CUT 01_Sub_02
ACT 2_ROUGH_CUT 01_Sub_03
ACT 2_ROUGH_CUT 01_Sub_04
Clip Bin
0held
_clipbin / 2026-09-11
Copy
1/9

Why it exists

After more than a decade cutting long-form films in Avid, for Discovery+, Fox, Amazon and Viacom Studios, the thing I missed most whenever I cut in Premiere was Avid's copy to clipboard. So I built Clip Bin.

Premiere's Make Subsequence gets you part of the way, but every one lands in your project as another _Sub_01, and by the end of a day there are dozens. Editors who work this way end up with a junk folder they tidy by hand. Clip Bin does the filing for you, and keeps the list where you can see it.

The first time I used it on a real job was on a sizzle edit, on the day of delivery. The client had requested shot changes, and I held twelve new shots in the panel, each renamed with a clear description, so I could audition them in the cut.

No more trying to remember where each one lived, and no going back to another timeline or the project panel to find them. It worked a treat.

Simon Mackenzie, editor

The obvious questions

Why not just copy and paste?

Because if anything is still selected in your timeline, the next copy grabs that instead of your marks, with no heads up. You only find out when the wrong material lands.

Can't I just pancake two timelines?

For moving between two sequences, yes, and plenty of editors do. It needs screen space you may not have, and it copes badly with a multi-track sequence. It doesn't help inside a single cut, where there's no second timeline to stack.

How do I know it copied the right thing?

Because you can see it. It arrives in your source monitor, and the panel keeps a list, so you're not holding the clipboard in your head and hoping.

It's in my source monitor. Then what?

Whatever you'd do with any source clip. Insert or overwrite it at the playhead, drag it into your timeline, or set fresh marks and take a piece of it. The individual clips come in flat, on their own tracks. Switch nesting on in the timeline toolbar if you'd rather drop the section in as one item.

You're on the list.A short welcome email is on its way. If it hasn't arrived in a few minutes, check your junk folder.
Before the public launch, at the founding price. No spam.